Moore, Charles Herbert, 1840-1930 · New York, London, The Macmillan Company · leaf 119
of 1617, plates 7 and 8. ARCHITECTURE OF THE RENAISSANCE CHAP. adjusted as in that ancient monument, save for its oval plan,but the rest of the composition is pretty clearly from the samesource. To realize this it is necessary only to eliminate, in idea,the portico of the Pantheon with the… … Fig. 46. — Sant Andrea di Ponte Molle. resulting composition would be substantially identical with thatof the facade of St. Andrea. The minor differences are unim-portant, as where Vignola has placed a pair of pilasters, insteadof only one, at each end of the fagade, has given the wholeorder more…
Architecture, Renaissance
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