Moore, Charles Herbert, 1840-1930 · New York, London, The Macmillan Company · leaf 176
eatment of this exterior is not expressiveof the inside. The square parts are divided into four stagesanswering to nothing within, and the lower three of these 1 Salient ribs of stucco are carried up in the angles of the dome of the sacristyas they are in the vaulting of the apses of Todi. VIII… … Fig. So. — Santa Maria delle Grazie. ornamental member, like the window shafts of the Certosa ofPavia, worked in relief-on its face; and the panels are adornedwith disks and medallions. Like most of the early Renaissancearchitecture of Milan, this building is entirely of brick with orna-ments of…
Architecture, Renaissance
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