Moore, Charles Herbert, 1840-1930 · New York, London, The Macmillan Company · leaf 198
up-porting members is to destroy in a measure the expression ofhomogeneous compactness. The classic details in this buildingshow the same disregard for correct classic forms and propor-tions that we find in the art of the Renaissance generally.The superimposed pilasters on the angles are of uniform… … PALAZZO CORNER-SPnSTELLIVenice i s^MEW U-UBUCUBRi^R^l IX PALACE ARCHITECTURE i6i magnitudes, is proper to the organic mediaeval architecturalsystems, under the influence of which these designers were un-consciously working; but it is foreign to the principles of theclassic art. The beauty of the…
Architecture, Renaissance
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