Bennett, Charles Wesley, 1828-1891 · New York, Phillips · leaf 126
good could be in the image of the gods ; contra- … Fig. 30.—Fresco from the ceiling of a chamber in San Callsto, Rome. riwise, that the highest physical perfection was requisite in the sen-suous representation of the divine. To his apprehension virtue andbeauty, vice and ugliness, were in indissoluble union. The beautifulwas the good, and deformity…
Church · Christian antiquities · Christian art and symbolism · Church architecture
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