Church, A. H. (Arthur Herbert), 1834-1915 · London : Cassell · leaf 170
140 [Chap. XL COLOUR. the palest tones of the sky near the horizon, while the lighter and brighter foliage towards its summit Mdll be opposed to the bluer and deeper tones of the u[)per regions of the sky. §112. A similar principle of coicnterchange will be found in many examples of decorative art.… … chief colours in such a counter- changed pattern, the total areas assigned to each of them should be nearly the same. This equality is most de- sirable in those cases in which the two hues differ much in brightness, as in the combination amber and crimson, or greenish-yellow and deep blue. j 113.…
Color
Internet Archive · Gerstein - University of Toronto · Public domain (published before 1931). Free to use for anything.
