in details, but the following seems highly probable.As the spectator approached the east front from the ViaFlaminia (corresponding with the modern Corso), he saw oneither side of the entrance ideal scenes symmetrically disposed.To the left was a beautiful group (PI. LXIV b), now in the Uffiziat…
Art · Architecture
Internet Archive · Pontifical Institute of Mediaeval Studies Library · Public Domain Mark 1.0. Free to use for anything.
