Comparative physiognomy; or, Resemblances between men and animals (1852)
Redfield, James W · New York, Redfield · leaf 129
he handles, himself. It maybe said also that no amateurpronounces upon the merits of an artist until he sees how hehandles his instruments, or sees his motions described on can-vass or marble. The line of beauty insensibly perceived inthe gait of a spirited, proud, dashing, but easy, graceful,…
Physiognomy
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