Comparative physiognomy; or, Resemblances between men and animals (1852)
Redfield, James W · New York, Redfield · leaf 130
lity, than man. She is also a passionate admirerof the horse, and skilful in managing him; and is herself themodel of that oeauty (see next page) which by the Italians,and by all who make pilgrimages to Eome, is sought for inthe works of the old masters, and in the atmosphere of thatdelightful… … become one ! This shows that there can be no true art thathas not its original in Nature, that does not agree with Na-ture, and that does not cite Natureas its authority. The child that isdestined to be an artist is more a child of Nature than any other.In every movement of that wildone you see an…
Physiognomy
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