Comparative physiognomy; or, Resemblances between men and animals (1852)
Redfield, James W · New York, Redfield · leaf 133
teristic of the Italians. It isso more from the prevalence of the artificial than from thestrength of the faculty of suspicion. True art inspires confi-dence, for it changes the deceitful faculties into the very op-posites. Who more than the sculptor and the painter love togive agreeable surprises… … -^^ Art raises man to the highest pinnacle of perfection. Itincludes education, improvement, regeneration, accountability— all that belongs to man as created in the image and like-ness of his Maker. There is not a wider difference between THE HORSE. 131 the horse and the leopard, than there is…
Physiognomy
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