ission, camara-derie, and intrigue. During the first half of this century theInstitute tyrannized over French art, admitting no doctrinesand no manifestations at variance with its own, and carryingits jealous care so far that the guardians of the Louvre Muse-um had orders to prevent students from… … THE TIGER HUNT.—RIGHT SIDE OF GROUP.—(CIRE PERDUE.)Engraved by F. H. Wellington. ANTOINE LOUIS BARYE. 193 Institute being of opinion that such examples would tend tocorrupt the taste of the student. The Romantic movement of1830 was directed against this positive oppression of the Insti-tute, and…
Art criticism
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