elongingstill in a large degree to the domain of instinct; we cannotultimately explain them; and the moment we quit the histor-ical and archaeological stand-point we can only speak in vaguegeneralities either about the artist or his work. Science hasyet to explain physiologically and psychically… … CHARITY.—By M. Paul Dubois. MODERN FRENCH SCULPTURE. 227 special aptitude of eye or of ear, a native capacity to perceivethe germs of beauty that exist in the external world, and then,under the influence of obscure creative faculties, to give a newlife to the materials he sees—the life of…
Art criticism
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