Studies in pictures; an introduction to the famous galleries (1907)
Van Dyke, John Charles, 1856-1932 · New York, C. Scribner's sons · leaf 224
re enough and tospare in every French museum, did not satisfy. Itwas palpably artificial, bloodless, colorless. Thesentiment as well as the form of it was a distor-tion. The whole conception needed reformation.Those who advocated a revolt—Gericault, Delaeroig:,and others—^were called romanticists,… … LANDSCAPE AND MARINE PAINTING 129 limb, and branch; the romanticists produced atwisted, torn, and ragged tree. Classic skies wereserene, streams and lakes were placid, groves werepeaceful, temples were majestic; romantic skies wereovercast and dismal, waters were dark and myste-rious, groves were…
Painting
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