Pictures and their painters; the history of painting (1907)
Bryant, Lorinda Munson, 1855- · New York: John Lane Co. · leaf 298
that his donkey has,with hislifted ears. There is no real sincerity, no religious fervor in theliearts of the men on the right; the scene is too tame for theartist to bring out any depth of feeling on the faces or inthe pose of these sturdy men. Even the contrasts of light andshadow are not so… … Fn;. 18S.—Ribera. The Adoration of the Shepherds. Louvre, Paris. no one would mistake the peculiar color of the somber Spaniard;there is the same death-like jDallor in the flesh tints and thesame black in the dark colors that is a telltale sign of his useof ]>igment. One turns with a sense of…
Painting · Painters
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