Pictures and their painters; the history of painting (1907)
Bryant, Lorinda Munson, 1855- · New York: John Lane Co. · leaf 87
n the modeling, of the Greek; and the perspective,atmosphere, and sunlight of the ^enetian. Nothing could befiner than his manner of handling the rich brocade of St. Simeonssurplice and the heaA-y lace on the short robe. The gentle 58 ITALIAN PAINTIXG dignity of the Virgin and the sweet girhsh… … Fig. 41.—Carpaccio. Presentation in the Temple. Academy, Venice. well imagine. The whole attitude of the tiny player is eloquentof earnest effort. This bit is a gem. In Cima da Comegliano (1460-1517) we have one of thedirect followers of Bellini, and probably a pupil of his. Possiblyhe did not…
Painting · Painters
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