Pictures and their painters; the history of painting (1907)
Bryant, Lorinda Munson, 1855- · New York: John Lane Co. · leaf 88
iginate much in composition, yet he has left worksthat are expressive of great dignity and considerable personality. CIJIA—MESSINA 59 His perspective in St. John and Four Saints (Fig. 42), inVenice, is good and tlie arrangement of the composition is quiteoriginal. The detail work on the arches and… … Fit;. 42.—t.iina. St. John and Four Saints, A\ent from Rome to Flanders, where he learned the secret fromthe Van Eycks. Critics to-day deny that he e-\-er Avent toFlanders, and also say that oil was used in Italy as a mediumbefore the time of the ^an Eycks. Messina shows the influenceof the Flemish…
Painting · Painters
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![An illustration from Illustrated catalogue of a highly important collection of ancient paintings of the Italian, Dutch, Spanish, Flemish and French schools, including an imposing gathering of Italian and Flemish primitives [electronic resource] : to be sold at unrestricted public sale by direction of the F. Kleinberger Galleries, for the purpose of adjusting the business interests of their former partnership and the present incorporation, in the grand ballroom of the Plaza Hotel, Fifth Avenue, 58th to 59th Street, on the evening herein stated (1918)](https://img.insideoutlibrary.com/img/200/ia-liu-31289009872740-113-45.webp)
