Pictures and their painters; the history of painting (1907)
Bryant, Lorinda Munson, 1855- · New York: John Lane Co. · leaf 91
fore 1475 or he would not have been called to Romeon so important a mission. Ghirlandajo did not have that warmth tliat would makehim much loved as a painter, l^ut he was strong, masterful, andforceful. One cannot look at the picture of The Old i\[an andLittle Boy (Fig. 44), in the Louvre, without… … Fu;. 44.—Gliirlanilajo. Old Man and Bo>. Louvre, Paris. GHIRLANDAJO 63 absolute unconsciousness of any mar on the face of his idol.The expression of love, admiration, and trust on the little faceis simply perfect. One lingers long before this picture, fasci-nated by tlie e.xpression of kind…
Painting · Painters
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