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Art in Great Britain and Ireland (1913)

Armstrong, Walter, Sir, 1850-1918 · New York : C. Scribner's Sons · leaf 100

An illustration from Art in Great Britain and Ireland, 1913, leaf 100
tury vary locally.The number of French im- migrants was small. Scarcelyany work bearing signs of aFrench origin can be pointedto, the chief exceptions beingthe Oxenbrigge Monumentin Bride Church, Sussex,and some capitals in the oldchurch at Chelsea (Blom-lield). The Italian, German,and Flemish… … —LONG G.4LLERV, CHIRK CASTLE. (Partly Restoration.) ART IN GREAT BRITAIN AND IRELAND ^ ae^^B^^^H W^: ,i mitu.-muatt,iiiiHin HI Biitt, 1 i §■■ fmm k-^^MMfSi^^-. ■ ■ TIG. 152.—GALLERY, HADDON HALL. The most important, and one of the earHest, ofthe Germans, was Holbein, who left a fewcasual…

Art, British · Art, Irish

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