Modern chromatics, with applications to art and industry (1879)
Rood, Ogden N. (Ogden Nicholas), 1831-1902 · New York, D. Appleton and Company · leaf 102
et or rose tint. These colours were bright and clear, afterward followed a dirty or grey orange ; during the presence of this colour the background changed from black to white, and the orange tint altered often into a dirty yellow-green which completed the series. If, instead of employing white, a… … Fio. 26.— Disk with Black and Fig. 27.— Black and White Spiral White Sectors for the Produo- on Disk, for the Production of tion of Subjective Colour. Subjective Colour. tint ; for example, if the object bo red, the after-image will be bluish green. It is not necessary to dwell longer on these…
Color · Painting · Color in art
Internet Archive · Cornell University Library · Public domain (published before 1931). Free to use for anything.
