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Renaissance and modern art (1894)

Goodyear, William H. (William Henry), 1846-1923 · Meadville, Pa. : Flood and Vincent · leaf 71

An illustration from Renaissance and modern art, 1894, leaf 71
gs on asolid surface to whichthey bear no relationof ornamental empha-sis, they have in so farlost their meaning. For the Romansthemselves, who inmany other wayslacked the higher re-finement of the earlierGreeks, we have a his-toric point of viewwhich does not de-mand that they shouldhave been more… … Fig. 23.—Early French RenaissancCjColumns anci Entablature. ,o.=„..^^. EngagedChurch at Gisors. Criticism of Renaissance Architecture. 67 solid, massive, powerful, and imposing, and their use ofthe Greek colonnades in surface ornament was not such asto impair these effects, and was in its way…

Art, Renaissance · Art

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