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Renaissance and modern art (1894)

Goodyear, William H. (William Henry), 1846-1923 · Meadville, Pa. : Flood and Vincent · leaf 72

An illustration from Renaissance and modern art, 1894, leaf 72
Fig. 23.—Early French RenaissancCjColumns anci Entablature. ,o.=„..^^. EngagedChurch at Gisors. Criticism of Renaissance Architecture. 67 solid, massive, powerful, and imposing, and their use ofthe Greek colonnades in surface ornament was not such asto impair these effects, and was in its way… … Fig. 24.—Ancient Roman Ruin. Theatre of Marcellus, showingColumns and Entablature. Engaged according to their own needs and character, built sensiblyand artistically, without claiming or showing the higherrefinement of the Greeks, whose forms they adopted andused.* For the architecture of the early…

Art, Renaissance · Art

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