Facts about processes, pigments, and vehicles : a manual for art students (1895)
Laurie, A. P. (Arthur Pillans), 1861-1949 · London ; New York : Macmillan · leaf 106
DRAWING FOR PROCESS 89 to be deeply etched in, which cannot be done in the case of half-tone work, which, as will presently be explained, does not lend itself so readily to sharp contrasts of black and white. This stippling process leads us naturally to half-tone blocks and their method of… … STIPPLING KNOWN AS ' BESIN QEAINS IN SKY half-tones on the block be represented by minute dots or lines, which are larger or smaller as the half-tone is darker or lighter. The conditions of printing will at once reveal this necessity. An ink roller is run over the block and then the paper pressed…
Painting · Artists' materials · Color
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