Delamotte, Philip H. (Philip Henry), 1821-1889 · London, Bell and Daldy · leaf 104
making it in strong Hght, tothrow that which is immediately behind it into shadow, as iS most charac-teristically done in every stage of the departing distance in the adjoining sketchby Collins (Fig. 3). Of course the effect is very different in the different cases,and it is not always possible to… … W. Collins. Fig. 3. may be compared by studying the works of Rembrandt and Turner. Theformer of these painters was very much given to concentrating the attentionupon one small portion of light in the midst of a large mass of darkness, whilstTurner would make the main portion of his picture in a…
Landscape painting · Watercolor painting
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