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The art of sketching from nature (1871)

Delamotte, Philip H. (Philip Henry), 1821-1889 · London, Bell and Daldy · leaf 54

An illustration from The art of sketching from nature, 1871, leaf 54
s put in. The advantageof having a full brush of colour, and of having the board inclined, is, that thereis a gradual subsidence of the colour in the lower portions, thus imparting aroundness from the first; for the student must remember that trees are round.In laying in this flat wash, too, it… … \^ncent Brook-:.,D.n-;; Son.T.itl-i. P. E. D ela.mott e. D el THE EL Chap. III.] The Elm. 23 and to this mixture additions of the different ingredient colours can be madefrom time to time as it is found necessary to vary the tint. Another point which must not be forgotten is, that the spots…

Landscape painting · Watercolor painting

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