Delamotte, Philip H. (Philip Henry), 1821-1889 · London, Bell and Daldy · leaf 74
ormer, which is put in broadly, whilstthe tone of colour in it throughout is lighter and greyer. These principleshold good with regard to all distant objects. CHAPTER IV. FOREGROUNDS. It sometimes happens that in the search for a sketch an embarras des richessesdoes not allow the mind to settle… … than to -sit down and study a bit of foreground, and this will give the mindtime to rest and to decide what it wishes most of all to carry off with it. Or itmay happen, that the general and individual points of a landscape are as easilycommitted to the memory by. a pencil outline as by an elaborate…
Landscape painting · Watercolor painting
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