sewhere. It isto these workshops that the neo-classical capitalsof Monreale are due,* also the finest and mostrefined of the carved shafts at the angles, and theball or knob carved with the dancing women atthe top of the famous fountain. To this school belongs, further, the top of theCappella… … CLOISTER, MONREALE p. 232 CHAPTER XI FREDERIC II. AND SICILIAN GOTHIC The influence of Frederic II. on Palermitan art isby no means so great as one might infer from hisbrilHant eclecticism, his art-loving disposition andthe fame of his oft-described poetic and learnedcourt in Palermo. Probably this…
Art · Art, Medieval
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