Tilley, Arthur Augustus, 1851-1942 · Cambridge : University Press · leaf 612
he triptych almost certainly comes from the Chartreusedo Liget near Loches. Similarly the white horse, strongly foreshortened from behind, isborrowed from Fouquet, who may have seen it in Italy. It appears inAltichieros fresco of the Crucifixion in St Georges Chap>el at Padua, andin his follower… … .. . .nut ■ inn III rY^< hiirrr(^iiiiuitiiiihHic>M<li»Hiiini(.iiiitnii( .U* ^ (ii/nfMinmii iinotiMiiif ^f,) i(iiiiCiiii(iiiiiiirrfi>^»i<i«»nifiiiirii(oi(ir ff >^lj itt((ilH(llllllhl1lll1lti|llf )^ { <«»lll^f<fcllll»III /ll»lltl )fj ^^^ .^ :p<iiiiir>iii^iiikri(iii/r.ii…
Renaissance -- France · Renaissance -- Italy · Art -- France History · Art, Renaissance · French literature -- 16th century History and criticism · France -- History House of Valois, 1328-1589
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