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Drawing & engraving : a brief exposition of technical principles & practice (1892)

Hamerton, Philip Gilbert, 1834-1894 · London ; Edinburgh : Adam and Charles Black · leaf 179

An illustration from Drawing & engraving : a brief exposition of technical principles & practice, 1892, leaf 179
than the Strength by the sameengraver of his skill in the modelling of flesh, and the figureof the woman is prettily draped. My main purpose, however, in giving this plate has beento show the total unsuitableness of line engraving for dealingwith the elements of landscape. The wood has none of… … ENGRA VING by many famous names, but although we cannotgive lists of these, we may direct the student to aschool of engraving which marked a new develop-ment, the group known as the engravers of Rubens. The influ-ence ofThat great painter understood the importance of Rubens. engraving as a means of…

Drawing · Engraving

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