ows that itsdesigner not only proportioned the picture but also the groups of hieroglyphsby the application of whirling square rectangles to a square. The outlines ot 26 DYNAMIC SYMMETRY the major square are carefully incised in the stone by four bars, two of whichhave slight pointed projections on… … Fig. 14. Another bas-relief from Egypt shows also how a square which is defined bybars cut in the stone at the top and bottom of the composition has its areadynamically divided for a pictorial composition. In this example the designerhas used a root-five rectangle in the center of a square, Fig.…
Vases, Greek
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