Essays on the anatomy of expression in painting (1806)
Bell, Charles, Sir, 1774-1842 · London : Printed for Longman, Hurst, Rees, and Orme · leaf 140
ch opposite passions are so distinct, that they cannot be combined where there is true and genuine emotion. When we see them united by those who have a ludicrous control over their muscles, the expression is farcical and ridiculous. It never is by the affection of an individual feature that emotion…
Facial Expression · Anatomy, Artistic
Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.