Essays on the anatomy of expression in painting (1806)
Bell, Charles, Sir, 1774-1842 · London : Printed for Longman, Hurst, Rees, and Orme · leaf 147
119 Some wounds subdue at once the energies of the mind and body : others shake the whole frame and countenance with horrible convulsions. … The whole muscles are here exerted to the utmost, and the strongest having the preponderance give the character. The muscles which shut the jaw are stronger than those which open it; the jaw is therefore strongly clinched. We see that the muscles
Facial Expression · Anatomy, Artistic
Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.
![An illustration from [Scvola Perfetta Per imparare a Disegnare tutto il corpo Humano] (1630)](https://img.insideoutlibrary.com/img/200/heidelberg-carracci1630-31-1.webp)
![An illustration from Galeries historiques de Versailles: dédiées à sa majesté la reine des francais: [Personnage célèbres sous le règne de Louis XIV] (1843)](https://img.insideoutlibrary.com/img/200/heidelberg-gavard_galeries_versailles10_5-87-2.webp)
