Essays on the anatomy and philosophy of expression (1893)
Bell, Charles, Sir, 1774-1842 · London : G. Bell · leaf 40
24 PROPORTIONS OF THE HEAD AND FACE. the alveoli or sockets of the front or incisor teeth of the upper jaw. On this we can raise an oblique line, touching the sockets of the teeth and the most promi- nent point of the forehead, or of the frontal bone. This is the facial line of Camper; and by its… … divide the brain-case from the face; commencing at the foramen of the ear, it will touch the upper margin of the orbit. On looking to these illustrations of Albert Diirer, it is apparent that he entertained and practised this mode of distinguishing the forms of the head. But the idea of the facial…
Expression · Anatomy, Artistic · Emotions in art · Facial expression in art
Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.
![An illustration from Clariss[imi] pictoris et geometræ Alberti Dureri, De varietate figurarum et flexuris partium ac gestib[um] imaginum, : libri duo, cqui priorib[us] De symmetria quondam editis, nunc primum in latinum conversi accesserunt (1534)](https://img.insideoutlibrary.com/img/200/ia-clarissimipictor00dure-35-45.webp)
