The essentials of aesthetics in music, poetry, painting, sculpture and architecture (1909)
Raymond, George Lansing, 1839-1929 · New York : G.P. Putnam · leaf 251
epresentative not merely of the artists ownmoods, but of these as excited by what he has seen, andwith which, therefore, his moods are in sympathy. No-thing, so well as such lines, could manifest the impetuousfury of the storm, the violent swaying of the trees, or theresisting strength of these and… … Ul CO 224 THE ESSENTIALS OF ^ESTHETICS. which seem ready to yield to the feeblest flood. Againobserve in Fig. 3, page 19, the comparatively fine lines orthe lack of lines used in the delineation of the texture ofthe marble and of the flowers. Is it not a fact that thesedifferences in the shading or…
Aesthetics
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