The essentials of aesthetics in music, poetry, painting, sculpture and architecture (1909)
Raymond, George Lansing, 1839-1929 · New York : G.P. Putnam · leaf 257
e or emotive, as,for instance, when one is excited or embarrassed. Facialexpression seems based upon the principle that the chinand lower lip best represent the vital or physical; the eye-brows and forehead best represent the mental or inter-pretive ; and the nose and eyes best represent the… … FIG. 35.—MARIEN PLATZ, MUNICH.See page 225. when the countenance is contracted, expanded, or drawndown, to the hands. From these brief suggestions with reference to the 23O THE ESSENTIALS OF ^ESTHETICS. representative effects of the different parts of the bodyas a whole, let us turn to consider the…
Aesthetics
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