The essentials of æsthetics in music, poetry, painting, sculpture and architecture (1921)
Raymond, George Lansing, 1839-1929 · New York ; London : G. P. Putnam's Sons · leaf 251
or emotive, as,for instance, when one is excited or embarrassed. Facialexpression seems based upon the principle that the chinand lower lip best represent the vital or physical ; the eye-brows and forehead best represent the mental or inter-pretive ; and the nose and eyes best represent the… … FIG. 35.—MARIEN PLATZ, MUNICH.See page 225. when the countenance is contracted, expanded, or drawndown, to the hands. From these brief suggestions with reference to the 23O THE ESSENTIALS OF AESTHETICS. representative effects of the different parts of the bodyas a whole, let us turn to consider the…
Aesthetics
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