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Figure drawing and composition : being a number of hints for the student and designer upon the treatment of the human figure by Richard G. Hatton (1895)

Hatton, Richard George, 1864-1926 · London : Chapman and Hall · leaf 174

An illustration from Figure drawing and composition : being a number of hints for the student and designer upon the treatment of the human figure by Richard G. Hatton, 1895, leaf 174
to note how frequently in Greek works the position in which the shoulders are well back, with the elbows at the sides, and the hands held a little away, occurs. The upper part of the back is of all the body the part most liable to change, and it is virtually impossible to lay down rules governing… … Fig. 105. muscles on the scapula, the rhomboids between it and the back-bone, and the trapezius. It will be when the arms are brought forward and the muscles at the back are stretched that the form will be simplest ; most complex when the arms and shoulders are thrown back. In Raphael's draw- ings…

Figure drawing · Human figure in art · Anatomy, Artistic

Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.

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