Figure drawing and composition : being a number of hints for the student and designer upon the treatment of the human figure by Richard G. Hatton (1895)
Hatton, Richard George, 1864-1926 · London : Chapman and Hall · leaf 190
170 FIGURE DRAWING AND COMPOSITION muscle is engaged in flexion, or, in company with other muscles, flexors and extensors, is strained to render the arm rigid, the fibrous expansion over the flexors of the fore-arm is evident. (Figs. 1 14, b, and 115, E.) The coraco-brachialis, which is a proper… … Fig. 114. triceps, and proceeds up to the arm-pit ; and appears somewhat similar in mass to the inner edge of the brachialis anticus, which, like it, is between the triceps and biceps, but on the lower half of the inner side. The coraco- brachialis may be seen in Figs. 1 14, a, and 1 15, D, E and F.
Figure drawing · Human figure in art · Anatomy, Artistic
Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.
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