Figure drawing and composition : being a number of hints for the student and designer upon the treatment of the human figure by Richard G. Hatton (1895)
Hatton, Richard George, 1864-1926 · London : Chapman and Hall · leaf 69
THE IiEAD AND NECK 49 These are seven in number, representing — the brows, the eyes, the nose, the opening of the mouth, the lower lip, the top of the chin, and the dimple or perhaps lower limit of the same. In the male it will be better to express more definitely … Fig. 24. the modelling of the brow. In B and c it may be seen how the hair-line curves gracefully round the brows, meeting the brow-lines, which at their inner ends mark the bold eminences of the male forehead. The upper eyelid is more important than the lower (b). E
Figure drawing · Human figure in art · Anatomy, Artistic
Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.
