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Figure drawing and composition : being a number of hints for the student and designer upon the treatment of the human figure by Richard G. Hatton (1895)

Hatton, Richard George, 1864-1926 · London : Chapman and Hall · leaf 78

An illustration from Figure drawing and composition : being a number of hints for the student and designer upon the treatment of the human figure by Richard G. Hatton, 1895, leaf 78
58 FIGURE DRAWING AND COMPOSITION the whole head, then to add the eyebrows above them, then the nostrils half-way between the brows and the chin, as in Fig. 33, P>. The same means can be adopted Fig. 32. — The Proportions of the Face. for foreshortened faces ; but with those there is, as is only to… … Fig. 33. be of service. First, the lower eyelid is seldom lower than half-way between the eyebrow and the top of the wing of the nose. (Fig. 34, A.) The height of the brows above the eyes varies considerably. Thus, there are beetle brows, and the reverse, and therefore the brow-

Figure drawing · Human figure in art · Anatomy, Artistic

Internet Archive · Getty Research Institute · Public domain (published before 1931). Free to use for anything.

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