Freehand perspective and sketching; principles and methods of expression in the pictorial representation of common objects, interiors, buildings and landscapes (1916)
Norton, Dora Miriam · Brooklyn : The author · leaf 100
nce has been acquired, such oblique lines canbe satisfactorily drawn without actually finding their vanishingpoints. Such convergences are generally estimated in practicalwork. But estimates are much more valuable when madewith a knowledge of methods by which they can be definitelydetermined. 80… … Fig. 128 next work, which should be the drawing of a building or part ofone from a print of his own selection. Making a Selection. — This choice should be carefully made,care being taken to secure unity, or an appearance of one whole 6 81 FREEHAND PERSPECTIVE Fig. 129 thing having a center of…
Drawing · Perspective
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