Freehand perspective and sketching; principles and methods of expression in the pictorial representation of common objects, interiors, buildings and landscapes (1916)
Norton, Dora Miriam · Brooklyn : The author · leaf 130
g. 176). The only way to give a truthful impression of the back wall is to draw it in its true shape (C in Fig. 176), as was done in the last chapter. But in the present ex-ercise (Fig. 171) part ofthe room is left out. Thecentral direction of seeingis therefore moved to theright, and with it the… … FiG. 176 111 FREEHAND PERSPECTIVE ture and from the picture plane, appears less than at the rightand left; and all horizontal lines on both walls appear toconverge. In this drawing the rectangle incloses the parts of mostinterest and cuts off the awkward outer lines (Fig. 177). An
Drawing · Perspective
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