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Freehand perspective and sketching; principles and methods of expression in the pictorial representation of common objects, interiors, buildings and landscapes (1916)

Norton, Dora Miriam · Brooklyn : The author · leaf 131

An illustration from Freehand perspective and sketching; principles and methods of expression in the pictorial representation of common objects, interiors, buildings and landscapes, 1916, leaf 131
FiG. 176 111 FREEHAND PERSPECTIVE ture and from the picture plane, appears less than at the rightand left; and all horizontal lines on both walls appear toconverge. In this drawing the rectangle incloses the parts of mostinterest and cuts off the awkward outer lines (Fig. 177). An … Fig. 177 alternate selection is indicated by dotted lines. This brings usto the consideration of a new point, namely: — What to Include in a Picture. — This cannot be all that it ispossible to see from any point, for the head can be turned tosee all parts of the horizon circle. Such a view when…

Drawing · Perspective

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