Freehand perspective and sketching; principles and methods of expression in the pictorial representation of common objects, interiors, buildings and landscapes (1910)
Norton, Dora Miriam · Brooklyn : D. M. Norton · leaf 132
Fic. 182 Fig. 183 FREEHAND PERSPECTIVE often be improved by cutting it with a different margin (Fig. 185). Care should be taken to place the principal oblique lines of the study in such a relation to themargin or inclosing rectangle that theydo not conspicuously point to the picturecorners. The…
Drawing
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