Freehand perspective and sketching; principles and methods of expression in the pictorial representation of common objects, interiors, buildings and landscapes (1910)
Norton, Dora Miriam · Brooklyn : D. M. Norton · leaf 150
ng point being a littleout of the center of the picture. Yet ifall these vertical surfaces are drawn in per-spective (A in Fig. 212) the result is mis-leading or impossible, and the eye protests.But the drawing is perfectly satisfactory inB, Fig. 212. A convincing illustration of dominantsurfaces… … In Fig. 211 PLAN Of INTERIOR SHOWN IN F«euRE aift.. Fig. 211 FREEHAND PERSPECTIVE remaining small ones are seen to occupy positions similar to thatof the table in Fig. 1. The Street. — The street is another example of these con-ditions. Viewed from the middle of a crosswalk {x in plan, Fig. 214)…
Drawing
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