The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 101
, page 218. Theimpression of completeness that many people derive from PRINCIPALITY IN ARCHITECTURE. 77 buildings like the Oriental mosques, Fig. 3, page 19, Fig.31, page 88, Fig. 42, page 123, or St. Peters at Rome,Fig. 23, page 78, is owing undoubtedly to the fact that thedome used in them as a… … FIG. 21.—THE WRESTLERS.See pages 75, 85. surpass in size their central connecting parts, Fig. 24, page79 ; or containing large numbers of openings, gables, tur-rets, domes, or spires equivalent in effect, Fig. 72, page221, no such impression is produced. Nor, for reasonsto be given farther on in…
Aesthetics
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