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The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 109

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 109
when they fall.Or if he be posing, and his arm be thrust out on one sideof him, his other arm, or his trunk or foot should bethrust out on his other side, sufficiently at least to securean effect of equilibrium. The necessity in art of seeming BALANCE IN SCULPTURE. 85 to carry out such… … FIQ. 29.—PALACE OF JUSTICE, AT LYONS, FRANCE.See pages 87, 96, 261. In architecture, it is possible for one subordinate featureto complement the principal, as a wing, or porch, or doorat one side of a house balances the whole facade of thebuilding to which it is attached (Fig. 28, page 84) ; or as

Aesthetics

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