Inside Out Library · Explore

The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 115

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 115
EY CHURCH.See pages 92, 124. and complement are all given their due proportionment,as in Fig. ^2, page 89. Besides imitation, the desire to have a building presentan impressive appearance on the street is accountable forthis accumulation of the chief features on one side orcorner. But many of these… … 92 THE GENESIS OF ART-FORM. interiors, have not been forced into more originality.There are undoubtedly good reasons why that which,artistically considered, is the most satisfactory form of thecathedral and parish church, Fig. 33, page 90, should notbe adopted by us. Such a building is difficult to…

Aesthetics

Internet Archive · Boston Public Library · Public Domain Mark 1.0. Free to use for anything.

More pictures from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture

More like this