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The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 181

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 181
ct that an object in the extreme distance is alwaysrelated to an object nearer us in such a way that, if therewere parallel lines drawn between the two, and extendedfar enough into space, such lines would meet in the dis-tance and form a point. For instance, to one lookingdown a long street, or the… … 158 THE GENESIS OF ART-FORM. though not actually meeting, suggest that they wouldmeet, could a man see far enough. The point where,if extended, they would meet, is what the painter callsthe vanishing point, and if he wishes to be mathemat-ically exact in determining the sizes of his figures as…

Aesthetics

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