The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)
Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 197
he neck of a prostrate an-tagonist, and looks up for a signal to save the life which THESE METHODS IN PAINTING. I7l3 is at his mercy. With scarcely an exception, the crowdof spectators, who fill an amphitheatre above, answer thisappeal by stretching a hand towards the gladiator,with the thumb… … FIQ. 50.—CATTLE.—C. TROYON.See pages 16, 158, 172. interest, and also make of the whole picture a unity bothin thought and form. But, in addition to this, the hori-zontal outlines in the front walls of the amphitheatre,which concentrate according to the laws of the perspective,also the outlines of…
Aesthetics
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