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The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 205

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 205
arallel to the first, cause the border to appear moresatisfactory. A similar effect results from the parallelismsthat are seen in the flutings of columns, in the mouldingsof picture frames, in the string-courses and cornices of PARALLELISM IN PAINTING. 181 buildings, as also in the caps and sills… … FIG. 55.—OTHELLO.- CARL BECKER.See pages 72, 174, 181, 239. the folds of the drapery about them, as well as the surround-ing architectural arrangements of pillars, pilasters, arches,and furniture, all grouped in such a way that their prom-inent outlines are parallel, or very nearly so. In the…

Aesthetics

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