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The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture (1893)

Raymond, George Lansing, 1839-1929 · New York : G. P. Putnam's Sons · leaf 211

An illustration from The genesis of art-form; an essay in comparative æsthetics showing the identity of the sources, methods, and effects of composition in music, poetry, painting, sculpture and architecture, 1893, leaf 211
edin public edifices may sometimes necessitate absolute.similarity on both sides of the centre, as in the TajMahal, Fig. 3, page 19, St. Peters, Rome, Fig. 23, page78, St. Marks, Venice, Fig. 31, page 88, and St. 1 Notice floral arrangements in Fig. 49, page 161. SYMMETRY. I87 Sophia,… … FIG. 59.—THE OLD LOUVRE.See page 186. 84. But how about a combination of dignity andgrace? This is as difficult to attain in art as in life.But when it is attained in either, is there any denyingthat we have the ideal ? CHAPTER XII. REPETITION, ALTERATION, AND ALTERNATION. Importance and Order of…

Aesthetics

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